Today, I watched the “classic” British spacefihorror movie, ‘Lifeforce‘. To put it bluntly, this 1985 production is the greatest movie of all time, at least in that it contains all other scifi and horror movies. It has alien vampires; zombies; space-flight; soldiers; masochist nurses; regular nudity; scientists with a grip on history and literature; an institute for the criminally insane; shapeshifting; psychic connections; flashy optical effects; and flying furniture, all wrapped up in neat Golan-Globus package (a sure sign of quality).
The film is at its finest in the second act, after the vampiress alien escapes London’s space research centre. She stalks the city and environs consuming the life-energy of various disposable characters. However the heroes give chase, as an officer of the SAS; an astronaut; and the Home Secretary, Sir Percy, track her psychic energy (using some telepathy) to the aforementioned institute for the criminally insane, where they beat a confession out of a masochist nurse, hypnotise the possessed director of the institute, and lose the Home Secretary to the hazards of telekinetically-powered flying furniture. Sadly, upon their return to London soldier and astronaut find the city overrun with zombies. What can possibly save the day? Why a little rumpy-pumpy with a she-beast-space-creature, of course.
A mere description of the film cannot do it justice. It has that curious mix of Golan-Globus overreaching, attempting the grand but achieving only the absurd; that peculiar britishness of hammer horror; a healthy dose of classism; proper dispersal of boob; and white polo kneck jumpers. If one wishes to hold onto one’s eyeballs, this would certainly be an appropriate accompaniment.