… and I approve Frank Miller’s forthcoming comic.
Brownstein: Politics often shift you work. Your next work is blatantly political.
Frank Miller: It’s called HOLY TERROR, BATMAN. I have 120 pages done so far, I expect to have 200 when I’m done. It’s the best artwork I’ve ever done–
Brownstein: I’ve seen some of it and I agree.
FM: It’s blatant propaganda. It’s Batman going to kick al-Qaida’s ass. (applause) It’s a reminder to people that we’re against a ruthless foe. I just wish the entertainers of our time had the spine of the ones who faced Hitler.
Brownstein: What is it you hope to acheive?
FM: Superman punched Hitler, so did Captain America. It just seems silly to have Batman out there chasin’ the Riddler when there’s al-Qaida out there!
Brownstein: What should people expect?
FM: (creepy voice) Be afraid. (laughter) It’s Pulp-y. It’s my love letter to the city; it’s Gotham under attack. Batman is in love with the city. It’s emotionally raw; if you mean emotion between a man and a woman, a man and a city or a man kickin’ al-Qaida butt.
Brownstein: Culturally, how does the use of superheroes help crises?
FM: I don’t know the effect, but I know it helps. The Greeks had the Gods. [In America] during the biggest urban crime wave, we had Dirty Harry. People always say ‘Superman is an icon.’ An icon of what ? The flag-bearer of WWII ? The Golem ? The confused guy of the 60s ? The glam guy of the 70s ? I figured him being so powerful had to make him on the bad guy’s side.